EDUCATION |
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1972-1974 |
California Institute of the Arts Master of Fine Arts |
1971-1972 |
California Institute of the Arts Bachelor of Fine Arts |
1970-1971 |
University of California at Los Angeles |
1968-1970 |
California State University at Northridge |
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SELECTED SOLO EXHIBITIONS |
2016 |
How Many Heart Beats in a Lifetime?, Craig Krull Gallery, Santa Monica, CA |
2013 |
Moment to Moment, Craig Krull Gallery, Santa Monica, CA |
2011 |
Treasure Maps, Craig Krull Gallery, Santa Monica, CA |
2009 |
Paintings, Craig Krull Gallery, Santa Monica, CA |
2007 |
Code Paintings, Craig Krull Gallery, Santa Monica, CA |
2007 |
Jancar Gallery, Los Angeles, CA |
2001 |
The Living Room, Santa Monica, CA |
1984 |
Jan Baum Gallery, Los Angeles, CA |
1983 |
Jan Baum Gallery, Los Angeles, CA |
1981 |
Baum-Silverman Gallery, Los Angeles, CA |
1974 |
Comsky Gallery, Los Angeles, CA |
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SELECTED RECENT GROUP EXHIBITIONS |
2015 |
Southern California Abstraction Now, Barrett Art Gallery, Santa Monica College, Santa Monica, CA |
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PRETTY RAW: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, MA |
2014 |
Toward the Heart of the Matter: Abstracting From Nature, Sturt-Haaga Gallery, Desconso Gardens, Flintridge, CA |
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Curiouser and Curiouser: Work Inspired by Alice’s Adventures in Wonderland, Art Division, Los Angeles, CA |
2011 |
Cries and Whispers, Stan Lee Gallery, Los Angeles, CA |
2010 |
ou-boum, Long Beach City College Art Gallery, Long Beach, CA |
2009 |
Everywhere & Nowhere, the Spiritual Temperament in Recent American Art, International Festival of Sacred Arts, New Delhi, India |
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2008 |
Painting in Southern California, The 1980s:Driven to Abstraction II, Riverside Art Museum, Riverside, CA |
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It?s Gouache and Gouache Only, curated by Geoffrey Young, Andrea Meislin Gallery, New York, NY |
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Some Paintings: The Third L.A. Weekly Annual Biennial, Track 16 Gallery, Santa Monica, CA |
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LA (A Select Survey of Art From Los Angeles), Center for Contemporary Art, Sacramento, CA |
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Emphasis Santa Monica, Pete and Susan Barrett Art Gallery, Santa Monica College, Santa Monica, CA |
2007 |
Works On/Of Paper, The Brewery Project, Los Angeles, CA |
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Women Artists of Southern California: Then and Now, Track 16 Gallery, Santa Monica, CA |
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Exquisite Acts & Everyday Rebellions, California institute of the Arts, Valencia, CA |
2006 |
30th Anniversary Exhibit, Jan Baum Gallery, Los Angeles, CA |
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Off the Wall: Murals, Armory Northwest, Armory Arts Center, Pasadena, CA |
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Immodesty, Another Year in LA, Los Angeles CA |
2005 |
COLA 1996-2006, Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA |
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Los Angeles Printmaking Society 18th National Exhibition, Armory Center for the Arts, Pasadena CA |
2003 |
Pressing On, Kent State University, School of Art Gallery, Kent, OH |
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L.A. Post Cool, Ben Maltz Gallery, Otis College of Art, Los Angeles, CA |
2002 |
Tinseltown, domestic setting, Los Angeles, CA |
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L.A. Post Cool, San Jose Museum of Art, San Jose, CA |
2001 |
25th Anniversary Exhibit, Jan Baum Gallery, Los Angeles, CA |
2000 |
The Importance of Being Earnest, Occidental College Galleries, Los Angeles, CA |
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Luminous, Ikon Gallery, Santa Monica, CA |
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Cake, Pasadena City College Art Gallery |
1998 |
L.A. Brastractionists, Inmo Gallery, Los Angeles, CA |
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City of Los Angeles (COLA) Exhibition, Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA |
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Art At Michael’s, Michael’s Restaurant, Santa Monica, CA |
1997 |
L.A. New Art/Arte Actual en Los Angeles, Fine Arts Gallery, University of Madrid, Spain |
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Plastered, Shoshana Wayne Gallery, Bergamot Station, Santa Monica, CA |
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L.A. New Art/Arte Actual en Los Angeles, Sala de Exposiciones, Cuenca, Spain |
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My Favorite Femmes, Jan Baum Gallery, Los Angeles, CA |
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Distant Bodies, L. A. Art Core, The Art Bank, Los Angeles, CA |
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XX-Sight, Contemporary Arts Forum, Santa Barbara, CA |
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Remembrance of Exhibitions Past: 20th Anniversary Celebration Exhibition, Jan Baum Gallery, Los Angeles, CA |
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L.A. Slide, The Living Room, Santa Monica, CA |
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Los Angeles Printmaking Society 14th National Exhibition, Laband Art Gallery, Loyola-Marymount University |
1996 |
$100 Show, Post, Los Angeles, CA |
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Feminist Directions 1970/1996, Sweeny Art Gallery, University of California at Riverside, Riverside CA |
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True. Bliss., Los Angeles Contemporary Exhibitions, Los Angeles, CA |
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Blessings and Beginnings, Skirball Cultural Center, Los Angeles, CA |
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Teeming, Post Gallery, Los Angeles, CA |
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Love’s Labors Lost , SI.T.E., Los Angeles, CA |
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Aftershocks, collaborative group print portfolio, Josephine Press, Santa Monica, CA |
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Aftershocks, Artworks Gallery, Santa Monica, CA |
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Transcendental Meditations, William Turner Gallery, Venice, CA |
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Thought Works @ L.A., Art Center, Battle Creek, MI |
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Thought Works @ L.A., Valdosta College Art Gallery, Valdosta, GA |
1995 |
$100 Show, Post, Los Angeles, CA |
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Hodge Podge Lodge, The Art Store Gallery, Los Angeles, CA |
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Division of Labor: Women’s Work in Contemporary Art, Museum of Contemporary Art, Los Angeles, CA |
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Restless Voices: Abstractions from Los Angeles, Schick Art Gallery, Skidmore College, Saratoga Springs, NY |
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Embraceable You: Current Abstraction, Moody Gallery of Art, University of Alabama, Tuscaloosa, AL |
1994 |
Surface Tension, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA |
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Embraceable You: Current Abstraction, Selby Gallery of the Ringling School of Art and Design, Sarasota, FL |
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December, Jerold Burchman Contemporary Art, Santa Barbara, California |
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Embraceable You: Current Abstraction, Pritchard Art Gallery, University of Idaho, Moscow, Idaho |
1993 |
Faculty Exhibition: Department of Art Studio, University Art Museum, University of California, Santa Barbara |
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Coastal Abstractions, Manhattan Beach Friends of the Fine Arts. Curated by Peter Frank. Catalog. |
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The Layered Look, Jan Baum Gallery, Los Angeles, CA. Organized by Sue Spaid |
1992 |
Aspects of Painting in Los Angeles, Gallery of the College of Creative Studies, U C Santa Barbara |
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A Small Show, Susan Landau Contemporary Art, West Los Angeles, CA |
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Abstract Paintings, Dorothy Goldeen Gallery, Santa Monica, CA |
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Coming Unraveled, Otis School of Art and Design Gallery, Los Angeles, CA. Curated by Anne Ayres |
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Coming Unraveled is a part of The Los Angeles Exhibition. |
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L.A. Xtension, ART LA 92/Los Angeles Contemporary Art Fair, Los Angeles Convention Center |
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Drawing Show, Nomadic Site at Bliss, Pasadena, CA. Curated by Adam Ross. |
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Los Angeles: Works on Paper, Michael Himovitz Gallery, Sacramento, CA |
1991 |
Inscapes, Works Gallery, Costa Mesa, CA |
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Abstract Variations, Jan Turner Gallery, Los Angeles, CA |
1989 |
Professor's Choice, Lang Art Gallery, Claremont Colleges, Claremont, CA |
1988 |
Experience-Reordered, L.A. Abstractions, Allport Gallery, San Francisco, CA. |
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L.A. Weekly Critics' Picks Exhibit, LA 88 Los Angeles International Contemporary Art Fair |
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Registry, Santa Monica Heritage Museum, Santa Monica, CA |
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Small Works, Cal Arts Alumni Exhibit, California Institute of the Arts, Valencia, CA. |
1986 |
Twenty Artists-Los Angeles, City Gallery of Contemporary Art, Raleigh, North Carolina. |
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Southern California Monoprints: The Singular Image, Guggenheim Gallery, Chapman College, Santa Ana, CA. |
1984 |
Summer Exhibit, Patty Aande Gallery, San Diego, CA. |
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The Cotton Exchange Show, LACE- Los Angeles Contemporary Exhibitions, Los Angeles, CA. |
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The Finals, Jan Baum Gallery, Los Angeles. |
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Environs III: W. Washington Blvd., Art Gallery of the Loyola Law School, Los Angeles. |
1983 |
Olympiad: Summer 1984, Koplin Gallery, Los Angeles. |
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At Home, collaborative installation with Miriam Schapiro, Long Beach Museum of Art, Long Beach, CA. |
1982 |
Faculty Exhibit, Art Gallery, California State University at Fullerton. Fullerton, CA. |
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Art Today, Offices of Welton-Beckett Architects, Santa Monica, CA |
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Group exhibit, Jan Baum Gallery, Los Angeles |
1980 |
Faculty Exhibit, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont, CA. |
1979 |
Group exhibit, Baum-Silverman Gallery, Los Angeles. |
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Color, Cedars-Sinai Medical Center Art Exhibition Space, Los Angeles. |
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Faculty Exhibit, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont, CA. |
1978 |
Abstract Works on Paper, Baum-Silverman Gallery, Los Angeles |
1978 |
L.A. Painters, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont CA. |
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Group exhibit, Cedars-Sinai Medical Center Exhibition Space, Los Angeles. |
1977 |
Fine Arts Faculty Exhibit, Los Angeles Harbor College, Wilmington, CA. |
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100+, Los Angeles Institute of Contemporary Art, Los Angeles. Curated by Robert Smith. |
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We Were All Here, Art Gallery, California State University at Northridge. Curated by Joanne Julian. Catalog. |
1976 |
Los Angeles Women Artists, touring exhibit organized for the State of North Carolina. |
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24 Southern California Women Artists, Cerritos College, El Cerritos, CA. Curated by Gil Steele |
1975 |
Group exhibit, Ellie Blankfort Gallery, Los Angeles. Catalog. |
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Robin Mitchell, John Miller and Dave Thomas, Art Gallery of Santa Ana College, Santa Ana, CA. |
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Contemporary Concerns II, Los Angeles Institute of Contemporary Art, Los Angeles. Curated by Walter Hopps. |
1974 |
Selections from Five Orange County Galleries, Laguna Beach Museum of Art, Laguna Beach, CA. C |
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Eleven Young Californians, Comsky Gallery, Los Angeles. |
1973 |
Robin Mitchell/Jim Oliver, Gallery TJB, Newport Beach, CA. Curated by Charles C. Hill |
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Women Artists Invitational Drawing Exhibition, Womanspace Gallery, Los Angeles. |
1972 |
Thirteen Artists on Paper, Art Gallery of the College of Creative Studies, University of California at Santa Barbara |
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Small Images, Art Gallery of California State University at Los Angeles. Curated by Josine Ianco-Starrels. |
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New Artists/New Work, Rental Gallery, Los Angeles County Museum of Art. Curated by Laura Lee Woods. |
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Womanhouse, collaborative project of the Feminist Art Program, California Institute of the Arts |
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AWARDS & HONORS |
2016 |
City of Santa Monica Arts Cultural Affairs Division Project Fellowship |
2007 |
Finalist for the Eduardo Carrillo Prize for Painting |
2006 |
California Community Foundation Fellowship for Visual Artist, Mid-Career Award |
1997 |
City of Los Angeles, Cultural Affairs Department Visual Artists Grant |
1997 |
Cash Award with funds from Lea & Luis Remba (Mixografia Workshop, Inc.) and Jean & Leslie Burg, |
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Los Angeles Printmaking Society 14th National Exhibition |
1996 |
Anonymous Was a Woman Visual Artists Award |
1991 |
Course Improvement Development Grant, University of California at Irvine |
1991 |
University of California at Irvine Career Development Grant |
1989 |
University of California at Irvine Career Development Grant |
1987 |
National Endowment for the Arts Visual Artist Fellowship for Painting |
1974 |
California Institute of the Arts, Full Tuition Scholarship / Graduate Assistant Teaching Stipend |
1973 |
California Institute of the Arts, Partial Tuition Scholarship |
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BIBLIOGRAPHY |
2015 |
Siegel, Katy, “The Heroine Paint” After Frankenthaler, published by Gagosian Gallery
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Roberta Smith, New York Times, Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence on the Art World, June 03, 2015
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Smee, Sebastian, Raw Power at Rose Art Museum, Boston Globe, Art Review February 19, 2015
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2013 |
David Pagel, Moment to Moment exhibition review, Los Angeles Times, July 2013
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2010 |
Schor, Mira, A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life
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Miles, Christopher, Robin Mitchell at Craig Krull Gallery, LA Weekly, November 5-11, 2009, page 41.
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2008 |
Harvey, Doug, Some Paintings: The Artists in the Third L.A. Weekly Annual Biennial, L.A. Weekly, January 11-17, 2008 |
2007 |
Mallinson, Constance, Robin Mitchell at Jancar Gallery, Art in America, September 2007
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Pagel, David, Robin Mitchell at Craig Krull Gallery, Around the Galleries, Los Angeles Times, July 13, 2007, Calendar Section |
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Women Artists of Southern California: Then and Now, Track 16 Gallery, Santa Monica, CA catalog
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Frank, Peter, Still Waters and Restless Currents, L.A. Weekly, August 3-8, 2007, page 82
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2002 |
Duncan, Michael, L.A. Post Cool, catalog essay, San Jose Museum of Art
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Cooper, Bernard, “In the Raw”, Los Angeles Magazine, December 2002, pp 124-128
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2001 |
Duncan, Michael, The Importance of Being Earnest, catalog essay |
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